"Reggaeton is unstoppable because it is recorded at home. It is totally independent," says Michael "El Micha" Sierra, 27, a former basketball player whose bottom row of gold teeth flash when he gives one of his frequent broad smiles...
That is how the tropical fever of reggaeton is sweeping communist-ruled Cuba, captivating its youth and enraging a cultural establishment alarmed by the vulgarity of some of its lyrics, which include phrases like "Coge mi tubo" ("Grab my pipe") and "Metela" ("Stick it in")...
A beginner typically records at a makeshift studio for $2 an hour, burns as many CDs as he can afford to and spreads them around. Some became famous giving free CDs to taxi drivers. A few have achieved local success like Gente De Zona, Baby Lores or Kola Loka, and some even dream of breaking into the US market including Elvis Manuel, a 19-year-old reggaeton star who disappeared last year while trying to cross the Florida Straits to the United States. But most just fly under the radar only to emerge at weekends for concerts at state-owned discos.
"Reggaeton is treading a fine line between official and unofficial/independent worlds," said Geoff Baker, a lecturer at the University of London's Royal Holloway College who has researched the topic in Cuba...
"My lyrics talk about what young people live without getting into politics, because I don't really care about that. Reggaeton is music for people's pleasure," said El Micha as he got ready to go on stage.
Taken from Caribbean Net News.